Following Fidel Castro’s death in 2016 and his younger brother Raúl’s retirement as president two years later, 2018 marked the end of their near six decade-long leadership of Cuba. At the beginning of the post-Castro era, therefore, this practice-based project explored the presence of iconic revolutionary images and the role of documentary photography in contemporary Cuban society, focusing on the relationship between photographic language and identity. James Kent, MEITS flexible funding awardee, worked with Cuban academics, curators and photographers to explore the links between these themes; developing collaborations, carrying out interviews and recording footage of Cuban photographers at work. The project facilitated challenge-led collaborative research around the themes of photographic language and identity and encouraged new and innovative approaches to curatorial and photographic practice involving academics, curators, photographers, students and visual artists in both the UK and Cuba.